COCOON On view March 2 – April 4, 2016 Cocoon is the result of CEE32H: Responsive Structures, offered by Stanford Architecture.  This design build course focused on the structural and spatial possibilities of welded wire mesh, for the design of a contemplation space.  The installation encourages introspection and pause for students, passers-by, and visitors to the Anderson Collection.  The progression of arches provides a spatial t…

…and then visiting those locations in New York, Virginia, and the US Virgin Islands. However, today many of those sites contain no physical evidence of my ancestors’ lives. I collected soil from the sites and used it in sculptures and performances, as the soil seemed to contain the only material traces of their lives. A mud hand attached to a stick is propped up by wooden sticks with a blue wheelbarrow behind it. Kiyan Williams on site at the Ande…

“I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time. By altering the scale and context of the grid (as a scientific tool of measurement), the grid becomes an artistic tool of perception.” — Lita Albuquerque The most unprecedented, remote and isolated locations were used to host a global project, made an unconventional space for art installations in the t…

Fall, a season experienced in other climates as crisp weather, woolly sweaters, crunchy leaves and autumnally-appropriate spiced drinks. Here in the Bay Area, September is much the same as August, except with more exciting visual art events on the calendar and a slight spike in temperatures. Don’t know where to start for a healthy dose of excellent art? Here are eight suggestions for not-to-miss exhibitions, installations, public art projects an…

…ion at Stanford University, Oakland-based artist, educator, and Stanford alum Stephanie Syjuco uses photography, video, and installation to examine the construction of U.S. history and colonial practices. Eighteen works installed throughout the museum’s first floor challenge the assumption that images and historical materials are objective or neutral.   Installation shot of Stephanie Syjuco’s “Block Out the Sun,” 2021. Single-channel video…

Stepping into the Wisch Family Gallery at the Anderson Collection at Stanford University evokes a polar desert’s quiet and dangerous beauty. Centered amidst  large-scale photographs of a pristine white, icy environment, an otherworldly ultramarine-blue sphere measuring slightly over 3 feet in diameter rests on a bed of what appears to be snow. The sphere, representing Rigil Kentaurus, the third-brightest star in the night sky, is a key element o…

A project of the Anderson Collection at Stanford University Hosted by art historian and the associate director of ITALIC at Stanford, Kim Beil, the micro-video series “Up Close: One Painting Tours with Artists” focuses on a single object in the Anderson Collection, sparking dialogue with a guest artist. This project is made possible by a grant from Stanford Arts and the Anderson Collection at Stanford University. Artist Rebekah Goldstein explor…

The coming relaunch of the San Francisco Museum of Modern Art has lots of people buzzing in anticipation. But downtown San Francisco is not the only place where truly exciting things are happening on the visual arts front. Super-star artist James Turrell, for instance, is touching down in Palo Alto with a pocket-sized exhibition this week, ahead of a major retrospective of his work at The Los Angeles County Museum of Art in late May. Turrell is…