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Welcome to the Anderson Collection!
Stanford University's free museum of modern and contemporary American art

Now Open: Wed - Sun

11 a.m. – 5 p.m.

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Anderson Collection at Stanford University

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Todd McGrain, Passenger Pigeon, driven to extinction 1914, n.d. Bronze. Courtesy of the Lost Bird Project and presented through the collaboration of Stanford Live, Anderson Collection at Stanford University, and Stanford Office of the Vice President for the Arts. Photo: Andrew Brodhead.

On View, Stanford Arts District:

The Lost Birds

Now through Feb. 1, 2024

Explore

2023.01 Homepage_Girl_Diebenkorn

DISCOVER THE ANDERSON COLLECTION

Explore Our Collection

Image: Deborah Butterfield, Three Sorrows (quake, tsunami, meltdown from Gretel Ehrlich's Facing The Wave), 2016. Tia Collection, Santa Fe, NM. Image courtesy of the artist
LA Louver, Venice, CA.

UPCOMING EXHIBITION, OPENS APR. 5

Convergence Zone

Upcoming Programs

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Recent News

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Stephanie Syjuco Goes Full Color

Metro | January 4, 2023
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Stephanie Syjuco: White Balance/Color Cast | Anderson Collection at Stanford University

Photograph | January 3, 2023

anderson.collection.stanford

Program Alert! The Anderson Collection presents n Program Alert!

The Anderson Collection presents nine student intermedia projects from undergraduate seminar Music123i/ArtStudi123i: Music, Art, and Intermedia co-taught by Jaroslaw Kapuscinski and Julie Zhu. Roaming performances inspired by the artwork at the Anderson will be put on by students and artistic collaborators Sarah Grace Graves (voice) and Matt Ingalls (clarinet). The public is invited to witness and possibly even participate in these artistic interventions!

Next week, Wednesday March 22 at 5:30pm here at the museum (: 

Entry, as always, is free. No registration required. 

Image credits: Headshots courtesy Matt Ingalls (left) and Sarah Grace Graves (right)

Video documentation courtesy students in undergraduate seminar Music123i/ArtStudi123i

@sarahgracegraves @stanfordarts
Happy Birthday Jennifer Barlett!

On this day we’d like to invite you to watch/ re-watch this Up Close: One Painting Tour of Bartlett’s At The Lake, Morning with Kim Beil and Erica Deeman

Hosted by art historian and the associate director of ITALIC at Stanford, Kim Beil, the micro-video series focuses on a single object in the Anderson Collection, sparking dialogue with a guest artist.

Enjoy!

@kim.beil @erica_deeman #jenniferbartlett #kimbeil #ericadeeman
Have you seen the new bronze sculptures outside th Have you seen the new bronze sculptures outside the Anderson Collection? 

In collaboration with the @stanfordlive and @stanfordarts, we’re thrilled to present Todd McGrain’s @lostbirdproject.

Listen to sculpture Todd briefly speak above about his inspiration for this project as well as their significance in proximity to the Rodin sculptures at Cantor Arts Center. And we invite you to campus to visit all 5 works. Map above  + link in our bio for more details on this temporary installation! 

Images: 
2. Passenger Pigeon 
3. Labrador Duck 
4. Heath Hen 
5. Carolina Parakeet 
6. Great Auk
Next Exhibition Announcement! Convergence Zone A Next Exhibition Announcement! 

Convergence Zone
APRIL 5, 2023 - AUGUST 27, 2023

Recent destructive storms in California shone a spotlight, once again, on how vulnerable our communities are to the forces of nature. When we consider other “unusual” natural events occurring across the country and the globe, it raises questions about humankind’s role in creating them. Convergence Zone focuses on the human-planet relationship, featuring artworks by Deborah Butterfield, Ethan Estess, Helen and Newton Harrison, and Jean Shin, the 2022-23 Denning Visiting Artist and artist-in-residence at Stanford School of Medicine’s LaBeaud Lab.

A convergence zone is an atmospheric region where two prevailing winds interact. The air and water flow conditions in convergence zones encourage accumulation, including the amassing of discarded plastics in some regions of the ocean. The artworks in Convergence Zone bring together reflections on the human impact on bodies of water and how the planet responds with a spectrum of natural consequences.

Image: Deborah Butterfield, Three Sorrows (quake, tsunami, meltdown from Gretel Ehrlich’s Facing The Wave), 2016. Tia Collection, Santa Fe, NM. Image courtesy of the artist and LA Louver, Venice, CA.

@tiaartcollection @estess.art.science @jean.shin
Staff visit from Stanford University’s Digital L Staff visit from Stanford University’s Digital Library!

“We were particularly intrigued by her use of color targets and photography tools (like the ones we use every day) to add layers of meaning to her work and challenging the status quo). 

Stephanie’s Syjuco’s exhibition closes this Sunday March 5th. 

@digitallib @ssyjuco
Join us for Sketching in the Galleries in March! Join us for Sketching in the Galleries in March! 

March 3, 10, and 17th
11:30AM-12:30PM

This free drop-in activity provides all skill levels with a chance to experiment with pencils and paper while getting the opportunity to enjoy the collection from a creative perspective. 

- All materials are provided, including gallery stools

- Program is self-guided 

-Guests meet in the museum lobby

-All ages welcome!
One week left to see Stephanie Syjuco: White Balan One week left to see Stephanie Syjuco: White Balance/Color Cast! 

The exhibition closes this Sunday, March 5th. 

Get your free reservations by clicking the link in our bio above ☝🏾

Image 1: Installation view of Stephanie Syjuco: White Balance/Color Cast. 
Image 2: Rogue States, 2018. Digitally printed nylon flags. Courtesy of the artist, Catharine Clark Gallery, San Francisco, and RYAN LEE Gallery, New York

@ssyjuco @cclarkgallery @ryanleegallery
1 week from Today!  Join Anderson Collection art 1 week from Today! 

Join Anderson Collection artist Squeak Carnwath and recent Stanford MFA graduate Gregory Rick as they dive into conversation of what art making has taught them, the adversity that comes with it, and the determination needed to pursue this career. 

Tuesday February 28, 6:00pm, Oshman Hall (McMurtry Building) 

Seating is limited. More details on our homepage, link in our bio + stories. 

Squeak Carnwath If Not Now When, 2020 Oil and alkyd on canvas over panel 50 x 50 inches Photo Credit: M. Lee Fatherree
Squeak headshot: Photo credit Peg Skorpinski
Gregory Rick In the Shadow of the Second Amendment, 2022 Mixed media on canvas 56 x 52 inches
Gregory headshot: Courtesy of the artist

@gregoryrickstudio @squeakcarnwath @stanfordaah
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