…e and color (which later would be called “color-field painting”). Her “Monotype VII” has the same energetic feeling as “Approach” upstairs. In the painting, the staining is applied sparingly, so as to create more perspective space. The monotype, however, is a joyous expanse of color punctuated by tiny flashes of white that remind one of fireworks over the ocean. Linetzky said that the second exhibition, which w…

…t in a U.S. map printed on black vinyl, with implanted white flags representing hundreds of tribal lands. Called Their Land (2022), the map emphasizes the presence of Native tribes today, countering the misconception that Indigenous people are all but extinct. Nearby, a digital projection shows a collection of tribal seals found and researched by Stanford students. There is no consolidated repository or database for these seals of America’s over…

…ry-store specimens turned grey and white, orange tulips that cast a neon light. Pictured suspended before death, the orchids lived for a few weeks after painting, some even blooming a little. These and other works play with processes of digital alteration. In Hard Light (the title refers to a Photoshop filter), white lilies are set against the checkered backdrop of a transparency layer. The subject of Chromakey Aftermath is an arrangement of prot…

“I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time. By altering the scale and context of the grid (as a scientific tool of measurement), the grid becomes an artistic tool of perception.” — Lita Albuquerque The most unprecedented, remote and isolated locations were used to host a global project, made an unconventional space for art installations in the t…