…table art space constructed in September 2015 on-site at Jasper Ridge Biological Preserve by Stanford students.  The studio was built from salvaged materials largely from scrap material available at the Jasper Ridge maintenance site. The 11 students were enrolled in David Szlasa’s Arts Intensive course “Tiny Eco Houses for Artists: Social Practice, Design/Build.” Studio 2 is a creative space for students creating and curating art at Stanford, as…

…at Stanford University, stands between two new acquisitions, Willem de Kooning’s Gansevoort Street (c. 1949) on the left and Jackson Pollock’s Totem Lesson I (1944) on the right. (Image credit: Farrin Abbott) “By donating two of the most sought-after New York School paintings in private hands to Stanford, Moo Anderson continued to exemplify her strong conviction that art is to be shared and to be lived,” said Stanford University President Marc…

…son Collection building  (see “Stanford University Adds Third Building to New Arts District“) will be located at the entrance to the campus, adjacent to the Cantor Arts Center. It is the latest addition to Stanford’s newly created arts district, which includes the recently opened Bing Concert Hall and the McMurty Building for the department of art and art history. Jason Linetzky, the longtime director of the collection, is overseeing the move of…

Stanford University’s decade-long, $227-million investment in an arts initiative will be in the limelight this month with the unveiling of the Anderson Collection. One of the most valuable gifts in Stanford’s history, the collection of 20th-century American art was assembled over the course of fifty years by Bay Area collectors Harry W. “Hunk” and Mary Margaret “Moo Moo” Anderson along with their daughter Mary…

…st, the only thing that comes close is the Hammer Museum, which was open four years before being annexed by UCLA in 1994. ‘Unquestionably world class’ “The Anderson Collection is absolutely, unquestionably world class,” says Jeffrey Fraenkel of Fraenkel Gallery, the prominent San Francisco dealer in photography, a genre not included in the Anderson Collection. “Museums all over the country had their eyes on it hoping to get it until Hunk an…

…represented, among them Mark Rothko, Philip Guston, Wayne Thiebaud and Joan Mitchell, joining Motherwell et al. The crown jewel is Pollock’s horizontal drip painting “Lucifer” (1947), one of his most important works. The Andersons are said to have turned down an offer of $50 million for “Lucifer,” made in the mid-1990s by music mogul David Geffen. The canvas that once hung over Putter’s girlhood bed is easily…

…oft materials. By playing around with different media, Twist acquires a vocabulary of visual effects that he can incorporate into his performances. The stage, then, becomes Twist’s playground. Twist concluded his presentation by giving a live performance of his puppeteering. With Rothko’s “Pink and White over Red” as his backdrop, Twist commanded the floor, armed with a translucent white expanse of silk cloth. Puppeteering is an art form that eng…

…ay Wisely play the authors in this new production. It’s not really a romantic tale. Sand was 20 years older, and they never met. But director Joy Carlin told me audiences are loving it. “It seems to pack a wallop, it’s just people reading letters, but people seem to get very emotional over it.” Details here. Robert Hawkins entertains the Comedy Day audience (Photo: Dan Dion/Comedy Day) Sept 18: Comedy Day is back in Golden Gate Park. This free…

The audience for Nick Cave’s Soundsuits isn’t really the audience. To put it another way, people looking at the artist’s tall, bright, faceless garments from the outside are part of the audience. But another important audience member is the one wearing a Soundsuit: the person inside. Although visitors to the new exhibition can’t try on the suits, seeing them in person is just as good and not quite as tricky. At the two-…

…ns. Each item he finds holds a story — the energetic imprint from every previous owner, which he assembles into his Soundsuits. In that way, it can be said that Soundsuits are formed from memories. The Chicago artist’s creations are part sculpture and ornament, armor and instrument and are often worn as costumes and performed in. The energetic vibration of each single, insignificant article is magnified by how Cave chooses to bind the…

Over the past decade, many university leaders and donors have come to the same conclusion: investment in the arts is essential to building a competitive institution in an increasingly global world. This year, around half a dozen new museums and arts centres are opening on campuses across the country, from Columbia University in New York to Rice University in Texas. They come on the heels of recently completed projects at Stanford in California,…

If you’d been dragging your feet on getting to Palo Alto for the Anderson Collection’s Nick Cave exhibition (of Soundsuits, not Bad Seeds fame), now is the time. In addition to person-sized sculptures made for shimmying, the free collection displays Abstraction and the Movies March 1-17 only. Curated by current Stanford undergrad Carlos Valladares, Abstraction and the Movies pairs works from the Anderson Collection with images and posters from f…