Manuel Neri’s Chromatic Chaos
…itable only for maquettes and lamp bases, but he quickly seized on it’s quick-setting properties and receptivity to common tools. In 1998, on the occasion of an exhibition of his work at the Orange County Museum of Art, Neri spoke about why he preferred working with it.. “It’s a blah material,” he philosophized, “a dumb material. It doesn’t dictate to you at all. You can do anything you want to with it, practically, from a polished, glass-like fi…