…ou can see their work — and two more fine Diebenkorn canvases — at the Cantor Arts Center next door. Add to that two Lobdell abstractions, terrific paintings by Christopher Brown and Squeak Carnwath and you will have some idea of how strong the presence of California painting is at the Anderson Collection. The reputation of California art is going to be lifted up by this great public display. There is so much to be said about what the…

…Donovan. Then came a blockbuster by a Japanese group called teamlab, which makes ancient Japanese art come alive in floor-to-ceiling digital animations.   From her vantage point to the south, Kimball looked on with some envy as Pace drew in 45,000 people in less than three months. “That teamlab animation is something to marvel at,” Kimball says. “It’s immersive. It’s so animated. There’s so much to look at.” Kimball insists she’s not really…

…llock, Mark Rothko, Wayne Thiebaud and Richard Diebenkorn. The challenge to this and other single-donor museums, however, is how to keep the momentum going once visitors have seen the permanent collection. “The collection is not fixed to the initial gift (121 pieces). It has grown, and our hope is that, in a very thoughtful way, the collection will continue to grow,” Executive Director Jason Linetzky said. “We are always trying…

“I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time. By altering the scale and context of the grid (as a scientific tool of measurement), the grid becomes an artistic tool of perception.” — Lita Albuquerque The most unprecedented, remote and isolated locations were used to host a global project, made an unconventional space for art installations in the t…

…n, Contemporary Jewish Museum (San Francisco), and Parts & Labor (Beacon). Semo had three gallery solo shows in 2019: one at Marlborough Contemporary (New York) in January, one at Jessica Silverman Gallery (San Francisco) in March, and one at Ribordy Thetaz (Geneva) in November. She opened her first solo museum exhibition at the di Rosa Museum (Napa) in February 2020. Semo lives and works in San Francisco. Discover more of her work http://dav…

…nt works from the movement by Mark Rothko, Franz Kline, David Smith and Robert Motherwell. Although the current installation includes 104 pieces from the gift, museum director Jason Linetzky noted, “There will be opportunities to bring in additional works from the original gift. Visitors will see how the experience changes when works are rotated.” A temporary exhibition space on the first floor features the work of the late Leo Holu…

…Abstract Expressionist Franz Kline. Oliveira and Bischoff, along with Stanford alumnus Diebenkorn, were leaders in the Bay Area Figurative Movement of the 1950s. The painting by Kline from 1950 expands how this selection expresses a range of approaches to formal abstraction as a means to represent the world and complex human experiences after World War II. Organized by Elizabeth Kathleen Mitchell, interim co-director of the Cantor and the Burton…

…versation about shaping our future, either as onlookers contributing to the status quo or as active participants in reconsidering and recasting dominant narratives,” Linetzky said. Syjuco was born in Manila in 1974 and came to the United States when she was 3 years old. Her work often considers the relationship between her adopted country and the Philippines, which the United States ruled as a colony for nearly 50 years. She is keenly aware of ho…

Fall, a season experienced in other climates as crisp weather, woolly sweaters, crunchy leaves and autumnally-appropriate spiced drinks. Here in the Bay Area, September is much the same as August, except with more exciting visual art events on the calendar and a slight spike in temperatures. Don’t know where to start for a healthy dose of excellent art? Here are eight suggestions for not-to-miss exhibitions, installations, public art projects an…

…rhol and others were donated to the museum in 1992 and seven Frank Stella paintings from 1959 to 1988 were given in 2001. Much of their collection was shown at the museum in 2000, in “Celebrating Modern Art: The Anderson Collection.” (They also collected prints and gave more than 650 to San Francisco’s Fine Arts Museums in 1996, which transferred them to the De Young.) However, what the Andersons call their “core collectio…

…sity. (Image credit: L.A. Cicero) The Andersons began collecting art in the mid-1960s after a trip to the Louvre in Paris, where they admired works of the French Impressionists. They initially collected work by Early Modernists, such as Pablo Picasso and Henri Matisse, the German Expressionists, such as Emile Nolde, and the Early American Modernists, such as Georgia O’Keeffe, Marsden Hartley and Arthur Dove. By 1969, however, the Andersons made t…

…k, the Anderson Collection at Stanford University opened its doors for the first time. The Andersons didn’t know much about art at first, but they suffered something of a coup de foudre at the Louvre in 1964. Since then, Hunk, Moo and Putter have devoted themselves to the art of art appreciation, partly by seeking advice from local artists. Perhaps this is why much of the collection is focused “close to home.” Works by Richard Diebenkorn, Paul Wo…

…erly Hills or Greenwich, but that may be changing.) I remember being fascinated by the way the collection, which includes pretty much all the brand names of the 50s, 60s, and 70s, felt almost wedged into the house, with masterpieces seemingly elbow to elbow in big rooms, and large canvases lining the hallways. As a teenager, Putter had a Pollock drip painting in her bedroom; any slumber-party guests must have been very careful with their Cokes an…