…e the recent move, sweeping a glance around his living room’s chock-a-block walls, “we may be trying to replace irreplaceable art with replaceable art, ” meaning no insult to the far less time-tested purchases of younger artists’ works that the couple continue to make. Since that day in Paris, Hunk, 91, and Moo, 87, have always approached collecting art as a team. “We’ve all read the same books, we’ve all…

…company Saga to manage the college’s cafeteria. After he and Moo married in 1950, they moved around the country to establish Saga at other colleges. In 1962, three years after the birth of their daughter, Mary Patricia “Putter,” they moved to the Bay Area and opened the national headquarters for Saga in Menlo Park, California. Harry W. “Hunk” Anderson shared his passion for art with his wife, Mary Margaret “Moo” Anderson, and their daughter, Mar…

…cted in depth. Over the years, the couple read books, visited museums and galleries, and developed relationships with collectors, curators, gallerists and dealers. Their passion led to what Linetzky describes as a “spectacular” trove devoted to postwar American art. “Some of the works that we have are on par with the objects at other great museums, but the intimacy here is fairly unique,” he says. Anh-Minh Le is a Portola Valley freelancer. E-mai…

…ho doesn’t quite share my taste once called me “one of those David Park people,” and frankly I took that as a compliment. I think that one of the most valuable things that the Anderson Collection is going to do over time is to create a conversation between postwar art from both coasts. Along with Pollock, De Kooning and Rothko there are three Diebenkorns, three Oliveiras, two terrific Paul Wonners and a great David Park. Elmer B…

…s, curators and artists. They filled their home with masterpieces, welcoming each as a new family member. Living with art is a joy only collectors can appreciate. “When you get to live with art, everyday it changes”, says Moo Anderson. Fast-forward 50 years, they’ve collected one of the world’s most outstanding private assemblies of modern and contemporary American art. The wherewithal came from a flourishing business vent…

…orian and the associate director of ITALIC at Stanford, Kim Beil, the micro-video series “Up Close: One Painting Tours with Artists” focuses on a single object in the Anderson Collection, sparking dialogue with a guest artist. This project is made possible by a grant from Stanford Arts and the Anderson Collection at Stanford University. Artist Rebekah Goldstein explores Richard Diebenkorn’s Ocean Park #60 Rebekah Goldstein is a San Francisco-b…

The Cantor and Anderson Collection offer free membership to Class of 2020…

The Anderson Collection opens to the public at its new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visito…

When the Anderson Collection at Stanford University opens to the public this Sunday, visitors will be rewarded with a breathtaking introduction to one of the world’s most important private collections. The long-anticipated institution, adjacent to the Cantor Arts Center, features a formidable cache of modern and contemporary art and certifies the Bay Area’s growing international stature as a destination for lovers and scholars of 20t…

…n.” The film focuses on the way the Feminist Art Movement amalgamated free speech, politics and aesthetics to create radical statements with lasting cultural impact. Following the film, Leeson will take part in a panel discussion with Feminist Art Historian and critic Moira Roth, Stanford chair of Theater and Performance Studies Jennifer DeVere Brody and others. For more information about the event, go to anderson.stanford.edu or call 650-7…

…at was curated by Christian L. Frock and Tanya Zimbardo, Public Works: Artists’ Interventions 1970s – Now brings together a group of female artists working in the public realm. Believing not all public art is monumental and not all monumental art is truly impactful,Public Works focuses on temporary interventions online and in the urban environment. The list of participating artists — too lengthy to mention here — is an impressive one, including o…