Stanford Gets ‘Left of Center’ New exhibition of nonrepresentational abstraction opens a world of possibilities October 9, 2019 by Jeffrey Edalatpour My heartbeat accelerated when I caught a glimpse of Joan Mitchell’s Before, Again IV from the bottom of the wide steps that lead up to the main gallery upstairs. Her periwinkle- and rust-colored scribbles were the welcoming salvo into abstract expressionism that I’d been w…

…and Anderson Collection. “Presidential Residency artists have played an important role in helping us reconsider how we understand and value history,” said Linetzky. “In this context, Ore-Giron’s time at Stanford will provide an opportunity for critical conversations about how we use art to progress as a society in this moment.” MEDIA CONTACT Beth Giudicessi Director, Marketing & Communications Anderson Collection at Stanford University…

The Anderson Collection was honored to have Wayne Thiebaud as the museum’s first Burt and Deedee McMurtry Lecturer in 2015. Cheers to this educator, painter, and lifelong sweet tooth! Wayne Thiebaud is well known for his images of food, ranging from lollipops to display cakes. During the early 1960s, he was identified with Pop Art—a connection he was quick to disclaim. Yet his own background in commercial art affect the way he handled subject…

…nsight into the past and ideas for the future. Earlier this year, Irving provided a glimpse into his process and how he’s thinking about the present.   What drew you to clay? I think the question is, why have I continued to return to clay since I was 12? I think another question is, what prompted my father to take me to the open studio session at the Potters Workshop in Saint Louis, Missouri, in the year 2004? That has been a recurring quest…

The Stanford Daily sat down with artist and writer Kiyan Williams ’13. One of their exhibits, “Reaching Towards Warmer Suns,” is currently being featured at the Anderson Collection at Stanford University from Jul. 29 to Dec. 5. Williams has also created numerous other works of art, such as “Pig Roast,” inspired by police violence toward Black people. They previously worked at Virginia Commonwealth University and served as a fellow with New Yor…

Abstraction From a Different Origin Eamon Ore-Giron invites the viewer to consider culture as a collective, living concept that evolves through destabilizing identity. DENVER — From wall texts to articles, every introduction of artist Eamon Ore-Giron highlights his father’s familial ties to Peru as well as his mother’s roots in Arizona. The notion that he is the offspring of two cultures suggests his art is a visual manifestation of Spanish col…

About Wendy Red Star: American Progress on view at the Anderson Collection at Stanford University is a solo exhibition of works by the artist Wendy Red Star, who was raised on the Apsáalooke (Crow) reservation in Montana. With historical research, Stanford student collaborations, large-scale installations, and images of sovereignty, Red Star asks viewers to grapple with the layered complexity of American history. SF/Arts Curator Insight Wendy…

Reviews Stephanie Syjuco: White Balance/Color Cast | Anderson Collection at Stanford University BY Rachel Heise Bolten, January 3, 2023 Stephanie Syjuco’s exhibition White Balance/Color Cast, on view through March 5, manufactures histories, real and counterfeit. Her work includes photographs, though she does not call herself a photographer – she teaches sculpture as an associate professor at the University of California at Berkeley. Her pictures…

Stephanie Syjuco Goes Full Color The politics of color photography explored in new exhibit There’s a colorchecker at the center of Stephanie Syjuco’s collage Pileup (Brass Bells). It’s 24 squares of color contained within a black frame. The artist arranges sheaves of paper, journals, letters and photographs around the colorchecker to create a disorderly narrative. If there’s a plot, the world’s greatest detective might be able to piece together…

“I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time. By altering the scale and context of the grid (as a scientific tool of measurement), the grid becomes an artistic tool of perception.” — Lita Albuquerque The most unprecedented, remote and isolated locations were used to host a global project, made an unconventional space for art installations in the t…