Forms That Don’t Yet Exist: Kiyan Williams Interviewed by Louis Bury
…vels of clay and air content, which allows me to manipulate its qualities to fit the effect I’m looking for. But the most important thing is being careful and working slowly—repeating the same gestures over and over. As the sculpture dries, it cracks and appears to be fragile when in fact it’s actually quite rigid and structurally sound. To me, that tension—that precarity—metaphorically embodies what it means to be human. LB Can you talk about th…