Getting it down on paper A different aspect of the Anderson Collection on view by Sheryl Nonnenberg / Palo Alto Weekly Philip Guston’s untitled ink-on-paper work is featured at Anderson Collection’s latest exhibition. Image courtesy of Anderson Collection. Visitors to the Anderson Collection at Stanford University can experience a wide range of art movements (virtually every major development after 1945) and media. The museum…

…with blinking lights or blurred black-and-white film backgrounds. Photo by Betty Noguchi/Anderson Collection. The Anderson Collection at Stanford will celebrate its fifth anniversary on Saturday, Sept. 21, with a gala celebration and three new exhibitions. The museum, located in the arts district on the Stanford campus, is home to a renowned collection of post-World War II American art gifted by the late Harry W. Anderson, his wife, Mary Marga…

…ts new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visitors can reserve timed tickets online at anderson.s…

…by the illusion of Still’s painting changing proportions and accessibility, artworks respond to all sorts of cultural echoes and other influences that we can seldom pinpoint easily. The Still at the top of the stairs prepares us to notice throughout the Anderson Collection fluctuating impressions made by artworks that initially seem foursquare and fully defined. Such an experience of art’s mutability is a key into the psychology of c…

…55. FASHION FOR A CAUSE … One of a kind textiles, jewelry, bags, children’s clothes and more will be offered for sale as part of the ninth annual STYLE fashion event and sale. The independent fashion showcase takes place Saturday, April 25 from 10 a.m.-5 p.m. and Sunday, April 26, from 11 a.m.-4 p.m. at the Palo Alto Medical Foundation Mountain View Center (701 E. El Camino Real). Tickets are $10 online or at the door, and proceeds fr…

…the Anderson Collection at Stanford University (easily reachable by public transport from San Francisco or from the airport) – it is very much worth the trip. The Anderson Collection is very much focused on American Art of the 20thCentury in general, with a specific concentration on West Coast art movements and artists. It has neither the ambition to be exhaustively encyclopedic or to go narrowly deep on one artist in particular. What I found pa…

…thoroughly understand the challenges faced by the museum team in their daily work, and areas in which staff want the museum to grow and flourish.” And how do they plan to address the issues raised last summer? “We are working closely with the staff with goals of transparency, empowerment and open communications,” according to Brezinski. For Mitchell, that means talking regularly with staff “to understand what tools and inf…

…ord alumnus Richard Diebenkorn, Manuel Neri and Nathan Oliveira, who taught at Stanford. Bay Area figurative art is a particular strength of the Anderson Collection and the second Park painting is an important acquisition. A collection of essays about the painting by Nancy Boas, Helen Park Bigelow and John Seed will be available in the galleries and online at the time of the opening. The Anderson Collection reopens to the public on Sept. 22 after…

…orschach inkblot, a large chaotic dark shape on a white background. Like Rorshcach, who asked people to tell him what they were seeing in his famous inkblots, I questioned how to interpret this painting and thought about what was going on in the artist’s mind. Was he going through a chaotic period in his life? Is it fear he is trying to draw? Anger? I went up to read the description of “Figure 8” by Franz Kline, and learned that he was capturing…

…t, 1” (1962); and then there’s the arresting “Stage #2 with Bed” (1967). Pitch-black and theatrical, it’s a setting for drama, a theater stage with a long, flat, bluish bed and a couch facing across the space to the only light source: a door, stage right, cracked open just a hair. In the corner of the gallery is Manuel Neri’s “Untitled Standing Figure” (1982), a white plaster sculpture of a female h…