Welcome to the Anderson Collection
Stanford University's free museum of modern and contemporary American art
Lately, I have been feeling like a Sally Rooney character: a little lost, a little gloomy, a little unsure about the decisions I have been making. So, I went to the Anderson Collection on a Saturday morning by myself, because museums have a calming effect on me. I needed to find my center again. As I entered the Anderson Collection, I climbed up the stairs to reach the permanent collection. I was in the middle of a room surrounded by large canv…
Part of the Anderson Collection at Stanford University: David Park, ‘Four Women,’ 1959, oil on canvas, 57 x 75 3/8 in., courtesy Hackett | Mill, San Francisco The Anderson Collection at Stanford University has reached another on-schedule milestone in the trek toward beginning construction this summer and opening its doors in 2014. The Stanford Board of Trustees approved Ennead Architects‘ building design at their meeting this…
Stanford University’s decade-long, $227-million investment in an arts initiative will be in the limelight this month with the unveiling of the Anderson Collection. One of the most valuable gifts in Stanford’s history, the collection of 20th-century American art was assembled over the course of fifty years by Bay Area collectors Harry W. “Hunk” and Mary Margaret “Moo Moo” Anderson along with their daughter Mary…
Not to be missed at the Anderson Collection (in no particular order): 1. Richard Diebenkorn: “Berkeley No. 26,” 1954. 2. Frank Stella: “Zeltweg,” 1981. 3. Ellsworth Kelly: “Black Ripe,” 1955. 4. David Park: “Four Women,” 1959 (on the cover). 5. Jackson Pollock: “Lucifer,” 1947. 6. Morris Louis: “Number 64,” 1958. 7. Wayne Thiebaud: “Candy Counter,” 1962. 8. Mark Rothko: “Pink and White Over Red,” 1957. 9. Vija Celmins: “Barrier,” 1986. 10. Phili…
COCOON On view March 2 – April 4, 2016 Cocoon is the result of CEE32H: Responsive Structures, offered by Stanford Architecture. This design build course focused on the structural and spatial possibilities of welded wire mesh, for the design of a contemplation space. The installation encourages introspection and pause for students, passers-by, and visitors to the Anderson Collection. The progression of arches provides a spatial t…
Sept. 17: How nice to start at the top of Mt. Tamalpais with Sound Summit, an annual concert sponsored by the Roots & Branches Conservancy for the benefit of fire prevention, water conservation and visitor services on Mt. Tam. The headliners are Wilco, fresh from a stint at the Fillmore, plus Los Lobos, the Stone Foxes, and Bill Frisell doing his album Guitar in the Space Age, which ought to sound very cool in the Mountain Theater aro…
Meet Manuel Neri’s Muses ‘Assertion of the Figure’ highlights the models behind the sculpture September 27, 2017 Jeffrey Edalatpour A subject study, ‘Joan Brown with Neri Sculpture I,’ one of the Manuel Neri sketches on display at Stanford’s Anderson Collection. Manuel Neri’s muses are equal partners in Assertion of the Figure, an exhibit of the Bay Area artist’s work at Stanford’s Anders…
