…nya Zimbardo, Public Works: Artists’ Interventions 1970s – Now brings together a group of female artists working in the public realm. Believing not all public art is monumental and not all monumental art is truly impactful,Public Works focuses on temporary interventions online and in the urban environment. The list of participating artists — too lengthy to mention here — is an impressive one, including off-site commissions by Constance Hockaday a…

…erson Collection at Stanford University. An exhibition of ceramics highlights artists who are reshaping ceramics in concept and craftsmanship. The exhibition – which features 11 works by Kathy Butterly, Kahlil Robert Irving, Simone Leigh and Brie Ruais – was postponed from spring 2020 and will be on view upon the museum’s reopening, hopefully in early 2021. A virtual tour of the show is available online now. “By sharing the work and voices of the…

…last fall after the departure of former director Susan Dackerman. A lengthy investigation, begun after an exposé in the Stanford Daily, revealed a toxic work culture at the museum and ended with Dackerman’s resignation in late November. The university has been circumspect about personnel matters, but did issue a press release at the time indicating that a transition team “will work closely with stakeholders from across the campus and…

…Park (1911-60). The painting will be on view when the museum reopens on Sept. 22, 2021. “I am extremely grateful to Keith Jantzen and Scott Beth for their generous gift to the Anderson Collection,” said Jason Linetzky, director of the museum. “The addition of this work focuses renewed attention on David Park, a compassionate artist and educator whose inventive spirit and camaraderie with artists forever transformed the landscape of figurative pai…

…ey character: a little lost, a little gloomy, a little unsure about the decisions I have been making. So, I went to the Anderson Collection on a Saturday morning by myself, because museums have a calming effect on me. I needed to find my center again. As I entered the Anderson Collection, I climbed up the stairs to reach the permanent collection. I was in the middle of a room surrounded by large canvases of colors. One of them, covering almost th…

…1; 1983) and Robert Hudson (“Plumb Bob” 1982). They are fun and lively, and perhaps lead the visitor to think that all the mystery about modern art is exaggerated. But then the grand staircase, which takes the visitor to the second floor where the majority of the art is installed, leads directly to an encounter with Clyfford Still’s “1957-J No.1.” The work is an interesting choice for such a focal point; large in sc…

…Collection building opened at the Palo Alto campus of Stanford University—our frequent partner-in-crime when it comes to celebrating the West. Designed by the same team that created Stanford’s stellar Bing Concert Hall, the structure houses 121 works of modern and contemporary American art, all donated by Harry W. and Mary Margaret Anderson. Of course, we’re most excited about the pieces that have a Western flavor: three lovely Diebenkorns, a Th…

…etting for a show full of little revelations — who knew any remained? — of the art of figures we thought we knew too well. Carleton Watkins: The Stanford Albums: The Stanford University Libraries presented to the public for the first time at the Cantor Arts Center the full riches of albums they received decades ago in which the luckless but relentless Carleton Watkins recorded the prising open of the American West by alien forces both commercial…

…visit. Here are just a handful of the museum’s highlights: “Jackson Pollock’s ‘Lucifer’ is something that people come to see. It previously hung over Putter’s bed, before moving to the dining room and before coming here.” “There’s an incredible Mark Rothko (‘Pink and White Over Red’) that’s just beautiful — a seductive red painting.” “Robert Irwin’s untitled disk is capturing people’s attention. There’s this shadow quality — he was very intereste…

…ht-provoking and challenging suits are constructed in ways that refuse to reveal gender, age or race. They offer complete anonymity. To imagine yourself in them is to turn the collective sharing of memories into a personal epiphany. The Anderson exhibit includes eight Soundsuits, three video works and a recently completed documentary about Nick Cave titled “Here.” There also is an interactive felt wall where visitors to the gallery ca…

…Yosemite Suite,” focusing on works depicting the national park that the 79-year-old artist created with an iPad. In addition to New York, where it is headquartered, Pace has galleries in London, Beijing, Hong Kong and Seoul. It may seem like San Francisco, rather than Palo Alto, would make sense to add to that list. But not so, says Glimcher. “There was no significant presence by a commercial gallery in Silicon Valley,” he explains. “When an amaz…

…artists,” explained Linetzky. For this first exhibition, artists working in post-war America were chosen. Included are: Richard Diebenkorn, William Baziotes, Sam Francis, Helen Frankenthaler, Philip Guston, Arshile Gorky and Mark Rothko. Linetzky said that many of the paper pieces were created earlier than paintings found upstairs in the permanent collection. “These works give visitors a sense of where the artist came from and help t…

…d University, a museum showing the core of their collection. No cause was given. She was 92. The Andersons liked to portray themselves as plain folk to befit their shared nickname “Hunk and Moo,” but they were sophisticated and timely in their collecting of artworks that were often abstract and beyond comprehension. They were also generous in both loaning and donating pieces to the San Francisco Museum of Modern Art and the Fine Arts Museums of S…

…Anderson Collection. “They were really the leaders of the Abstract Expressionists in New York.” The announcement comes less than a week after the death of Mary Margaret “Moo” Anderson, who has been the main benefactor of the collection since the death of her husband, Harry W. “Hunk” Anderson, in February 2018. Moo Anderson had committed the gifts months ago, in honor of the fifth anniversary of the Anderson Collection. She had been scheduled to a…

…The idea itself emerged from her personal writings on stellar observations. Lita was thinking about the project in global terms, the “sculptures in space”; her early drawings depicted the body chakra system in relation to the North and South Pole connection. The idea was of star light entering from the North Pole through the Earth axis exiting at the South Pole. By creating an invisible shaft of light that would poetically come through the centr…