…e 1970s and was later acquired by Marriott, Anderson never really retired and kept his office at the former Saga complex on Sand Hill Road until the end. During a trip to Europe in the early 1960s, the Andersons were captivated by an exhibition of the French Impressionists. They bought their first works, by Picasso and Matisse, and started building a collection that included American Modernists Georgia O’Keeffe, Marsden Hartley and Arthur Dove. I…

…as evidenced in Red in Red, and became one of the most well-known American artists of his generation in Western Europe and Japan, where he first traveled in 1957 and would come to spend significant periods of his later life. “The addition of Red in Red to the Anderson family collection in 1969 coincided with Hunk’s and Moo’s decision to build a world-class collection of modern and contemporary American art,” said Linetzky. “Francis had establish…

The Anderson Collection opens to the public at its new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visito…

…art is monumental and not all monumental art is truly impactful,Public Works focuses on temporary interventions online and in the urban environment. The list of participating artists — too lengthy to mention here — is an impressive one, including off-site commissions by Constance Hockaday and Jenifer K. Wofford. The exhibition spans media and generations, documenting the important projects that occupy space in the world, merging politics and soc…

From ancient pottery and medicinal clay to 3D-printed joints and pajamas that restore athletes’ muscles, the use of ceramics for objects rooted in decoration, ritual and utility is as old as it is expansive. The practices of four living artists whose exploration of the medium provides commentary on its past and insight for the future are presented in Formed & Fired: Contemporary American Ceramics at the Anderson Collection at Stanford Univer…

…aised last summer? “We are working closely with the staff with goals of transparency, empowerment and open communications,” according to Brezinski. For Mitchell, that means talking regularly with staff “to understand what tools and information they need to be successful in their work, and we use that feedback to strengthen communication and collaboration across the museum.” Neither would comment on the status of the search…

…essays about the painting by Nancy Boas, Helen Park Bigelow and John Seed will be available in the galleries and online at the time of the opening. The Anderson Collection reopens to the public on Sept. 22 after being closed several months for maintenance. The permanent collection is being completely reinstalled on the second floor, and there will be two temporary solo exhibitions on view as of Sept. 23: Sam Richardson:Islands, Ice, and Sand in t…

Lately, I have been feeling like a Sally Rooney character: a little lost, a little gloomy, a little unsure about the decisions I have been making. So, I went to the Anderson Collection on a Saturday morning by myself, because museums have a calming effect on me. I needed to find my center again. As I entered the Anderson Collection, I climbed up the stairs to reach the permanent collection. I was in the middle of a room surrounded by large canv…

On September 21, the Anderson Collection building opened at the Palo Alto campus of Stanford University—our frequent partner-in-crime when it comes to celebrating the West. Designed by the same team that created Stanford’s stellar Bing Concert Hall, the structure houses 121 works of modern and contemporary American art, all donated by Harry W. and Mary Margaret Anderson. Of course, we’re most excited about the pieces that have a Western flavor:…

…estra: A humbly entertaining group show, easily overlooked within a dreary but clamorous local art economy, this commemorative event reopened a souful, nonprofit mainstay of the Dogpatch neighborhood shuttered two years earlier by the death of its founder, Bruno Mauro. The Plot Thickens: Fraenkel Gallery’s 35th anniversary show (through Jan. 31) honors the gallery’s outstanding success, but crucially it also celebrates looking, not commerce, as t…

…visit. Here are just a handful of the museum’s highlights: “Jackson Pollock’s ‘Lucifer’ is something that people come to see. It previously hung over Putter’s bed, before moving to the dining room and before coming here.” “There’s an incredible Mark Rothko (‘Pink and White Over Red’) that’s just beautiful — a seductive red painting.” “Robert Irwin’s untitled disk is capturing people’s attention. There’s this shadow quality — he was very intereste…

…ht-provoking and challenging suits are constructed in ways that refuse to reveal gender, age or race. They offer complete anonymity. To imagine yourself in them is to turn the collective sharing of memories into a personal epiphany. The Anderson exhibit includes eight Soundsuits, three video works and a recently completed documentary about Nick Cave titled “Here.” There also is an interactive felt wall where visitors to the gallery ca…

…Rose moved into their historic Palo Alto home, their art was essentially limited to Pottery Barn and Z Gallerie buys. It was interior designer Jon de la Cruz who suggested the couple consider elevating their acquisitions. Four years later, the walls of their 1905 Craftsman are decorated with contemporary works from the likes of John Chiara, Gabriel Orozco, Ed Ruscha, Richard Serra and Hiroshi Sugimoto. “We started buying a few pieces, learning…