…aised last summer? “We are working closely with the staff with goals of transparency, empowerment and open communications,” according to Brezinski. For Mitchell, that means talking regularly with staff “to understand what tools and information they need to be successful in their work, and we use that feedback to strengthen communication and collaboration across the museum.” Neither would comment on the status of the search…

From ancient pottery and medicinal clay to 3D-printed joints and pajamas that restore athletes’ muscles, the use of ceramics for objects rooted in decoration, ritual and utility is as old as it is expansive. The practices of four living artists whose exploration of the medium provides commentary on its past and insight for the future are presented in Formed & Fired: Contemporary American Ceramics at the Anderson Collection at Stanford Univer…

…art is monumental and not all monumental art is truly impactful,Public Works focuses on temporary interventions online and in the urban environment. The list of participating artists — too lengthy to mention here — is an impressive one, including off-site commissions by Constance Hockaday and Jenifer K. Wofford. The exhibition spans media and generations, documenting the important projects that occupy space in the world, merging politics and soc…

…wo partners had started a venture to improve dormitory food service and it soon expanded across the country. The company, Saga Corp., moved to Menlo Park, which is what brought the Andersons west in 1964. The company went public in the 1970s and was eventually acquired by Marriott. Neither Anderson had ever studied art but during a trip to Europe, they were simultaneously swept away by the French Impressionists. Their first purchases were by Pica…

…Anderson Collection. “They were really the leaders of the Abstract Expressionists in New York.” The announcement comes less than a week after the death of Mary Margaret “Moo” Anderson, who has been the main benefactor of the collection since the death of her husband, Harry W. “Hunk” Anderson, in February 2018. Moo Anderson had committed the gifts months ago, in honor of the fifth anniversary of the Anderson Collection. She had been scheduled to a…

…s the same bold, black, gestural strokes that can be seen in his paintings. Richard Diebenkorn’s carefully composed use of geometry and muted, cool colors relates directly to the evocative “Ocean Park #60” at the top of the steps. On the other hand, Ad Rhinehart’s “Untitled”, a gouache on paper, is a complete surprise. Unlike “Abstract Painting, 1966,” which consists of subtle gradations of black to…

…Rose moved into their historic Palo Alto home, their art was essentially limited to Pottery Barn and Z Gallerie buys. It was interior designer Jon de la Cruz who suggested the couple consider elevating their acquisitions. Four years later, the walls of their 1905 Craftsman are decorated with contemporary works from the likes of John Chiara, Gabriel Orozco, Ed Ruscha, Richard Serra and Hiroshi Sugimoto. “We started buying a few pieces, learning…

…ht-provoking and challenging suits are constructed in ways that refuse to reveal gender, age or race. They offer complete anonymity. To imagine yourself in them is to turn the collective sharing of memories into a personal epiphany. The Anderson exhibit includes eight Soundsuits, three video works and a recently completed documentary about Nick Cave titled “Here.” There also is an interactive felt wall where visitors to the gallery ca…

…estra: A humbly entertaining group show, easily overlooked within a dreary but clamorous local art economy, this commemorative event reopened a souful, nonprofit mainstay of the Dogpatch neighborhood shuttered two years earlier by the death of its founder, Bruno Mauro. The Plot Thickens: Fraenkel Gallery’s 35th anniversary show (through Jan. 31) honors the gallery’s outstanding success, but crucially it also celebrates looking, not commerce, as t…

On September 21, the Anderson Collection building opened at the Palo Alto campus of Stanford University—our frequent partner-in-crime when it comes to celebrating the West. Designed by the same team that created Stanford’s stellar Bing Concert Hall, the structure houses 121 works of modern and contemporary American art, all donated by Harry W. and Mary Margaret Anderson. Of course, we’re most excited about the pieces that have a Western flavor:…

…h only three colors of paint (red, black, white) applied thickly with a palette knife. Its jagged forms and bold composition are confrontational and somewhat unsettling. Look to the left, however, and the eye takes in the cheerful swirls and bright pastels that comprise Joan Mitchell’s “Before, Again IV.” Gaze right, and Richard Diebenkorn’s evocative seascape, “Ocean Park #60,” immediately produces a sense of…

…visit. Here are just a handful of the museum’s highlights: “Jackson Pollock’s ‘Lucifer’ is something that people come to see. It previously hung over Putter’s bed, before moving to the dining room and before coming here.” “There’s an incredible Mark Rothko (‘Pink and White Over Red’) that’s just beautiful — a seductive red painting.” “Robert Irwin’s untitled disk is capturing people’s attention. There’s this shadow quality — he was very intereste…