PubAC10B

Home Is Where The Art Is

Exhibition Catalogue

The 10th Anniversary catalogue, Home is Where the Art Is, available at the Anderson Collection, showcases the love of living with art and the dynamic experiences one has with art at home within the museum. It features essays by graduate students Emily Chun, Christian Gonzalez Ho, and Dejan Vasic, and Kim Biel, Stanford lecturer and associate director of ITALIC, and Richard Olcott, architect of the Anderson Collection building and partner at Ennead Architects.

Available for purchase at the museum lobby.
$25 members / $30 non-members

Left of Center

Exhibition Catalog

Curated by Stanford PhD Candidates, Left of Center seeks to show how modes of art-making that originated on the West Coast decisively changed the topography of American modernism.

Manuel Neri

and the Assertion of Modern Figurative Sculpture

Representing the breadth of the artist’s oeuvre, this book offers insights into the development of Manuel Neri’s sculpture and a fresh perspective on his contributions to contemporary art.

A Family Affair

Feature Essays

Explore the Andersons' journey of art discovery made possible with the guidance of two prominent Stanford University professors—Albert E. Elsen and Nathan Oliveira—as well as Henry Sayles Francis, a retired curator from the Cleveland Museum of Art, and Helen Heninger, who developed the Andersons’ first working collection plan.

Formed and Fired

This brochure is published on the occasion of Formed and Fired: Contemporary American Ceramics, curated by Jason Linetzky, Director, and organized by the Anderson Collection at Stanford University.

The museum extends its deepest gratitude to the artists and lenders.

Hostile Terrain 94

This publication is written entirely by students at Stanford University, and includes essays from graduate students Koji Lau-Ozawa, a PhD candidate in the Department of Anthropology; Jon Ayon Alonso, MFA candidate in Documentary Film and Video Studies; and undergraduate students Ekalan Hou, Melissa Santos, and Georgia Gardner.

The installation will be on display in the first floor of the Anderson Collection at Stanford University upon reopening and through the Spring of 2021.