Makiko

In the late 1970s Neri began making regular trips to Carrara, Italy. He established a studio there in 1981 in order to readily access marble from the city’s famed quarries. Neri’s practice was profoundly affected by his proximity to the sculptural traditions of Western civilization, from the art of ancient Etruscans and classical antiquity to the haunting figures of Italian modernists Alberto Giacometti and Marino Marini. In Carrara Neri also met the artist Makiko Nakamura, who would inspire a rich series of work. Nakamura posed for Neri wearing traditional Japanese clothing and hairstyles. As in his works modeled after Joan Brown and Mary Julia Klimenko, Neri’s Makiko series emphasizes his interest in the anonymity of the body as form, as opposed to the individuality of portraiture, though here the body is imbued with an unmistakable Eastern exoticism. The drawings from the Japanese Dancer series, for example, emphasize a generalized sense of movement, suppleness, and coded cultural symbolism.

-Sidney Simon, PhD ’18