Welcome to the Anderson Collection
Stanford University's free museum of modern and contemporary American art
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The Anderson Collection: Top 5 pieces
…e seen in the multicolored drips and splatters that are strewn across “The Beaubourg.” It is interesting to note the contrast between these seemingly formless paint splatters and the geometric forms that crisscross the piece. 2. “Ocean Park #60” by Richard Diebenkorn “Ocean Park #60” is a product of Bay Area painter Richard Diebenkorn’s progression from representational works to depictions of purely abstract forms — in other words, from accurate…
Stanford Gets “Left of Center”
Stanford Gets ‘Left of Center’ New exhibition of nonrepresentational abstraction opens a world of possibilities October 9, 2019 by Jeffrey Edalatpour My heartbeat accelerated when I caught a glimpse of Joan Mitchell’s Before, Again IV from the bottom of the wide steps that lead up to the main gallery upstairs. Her periwinkle- and rust-colored scribbles were the welcoming salvo into abstract expressionism that I’d been w…
Mary Margaret ‘Moo’ Anderson, modern art collector and benefactor, dead at 92
…970s and was eventually acquired by Marriott. Neither Anderson had ever studied art but during a trip to Europe, they were simultaneously swept away by the French Impressionists. Their first purchases were by Picasso and by Matisse, but in the late 1960s, they switched to postmodern American art. Their timing was right. It was still a buyer’s market for the New York school works they sought out — Jackson Pollock, Mark Rothko, Jasper Johns, Frank…
After Major Bay Area Collector Dies, Key Works by de Kooning, Pollock Go to Stanford University
…s now celebrating its fifth anniversary, and though Moo’s death has darkened the mood some, Linetzky said of the new gift, “She would like us to be celebrating it. With this gift, we really have an opportunity to redefine what it means to be university art museum in 21st-century.” BY Claire Selvin, ARTnews, 10/28/19 Jackson Pollock, Totem Lesson I , 1944, oil on canvas. ©2019 THE POLLOCK-KRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YO…
‘Animating the Inanimate’: Redefining an art form
This past Friday, the Anderson Collection hosted a talk entitled “Animating the Inanimate,” during which artist Basil Twist spoke about his abstract experiments in puppetry and visual arts. Twist is a San Francisco-born, New York-based puppeteer brought in by the Stanford Arts Institute as part of the Mohr Visiting Artist Program. He is acclaimed for performance pieces, including “Symphonie Fantastique” and “The Rite of Spring,” which is a balle…