…son Collection building  (see “Stanford University Adds Third Building to New Arts District“) will be located at the entrance to the campus, adjacent to the Cantor Arts Center. It is the latest addition to Stanford’s newly created arts district, which includes the recently opened Bing Concert Hall and the McMurty Building for the department of art and art history. Jason Linetzky, the longtime director of the collection, is overseeing the move of…

…anford’s Bing Concert Hall last year, may not be on the same plane as Louis Kahn’s Kimbell Museum in Fort Worth or even Mario Botta’s original concept for SFMOMA, now under siege as a result of that museum’s expansion, the building is simple and unpretentious, Most importantly, it provides a tasteful showcase for the art – the majority of which is installed on the expansive second floor – while not overshadowing it. Cleres…

Among the 121 major pieces of postwar American art he has given to Stanford, Harry W. “Hunk” Anderson has bled for just one — Frank Stella’s “Zeltweg,” a heavy, nine-piece, mixed-media painting that resembles a kids’ slot car track. So when it arrives by heavy Freightliner on a mid-August morning, Anderson and his wife, Mary Margaret (Hunk and Moo, as they are known to just about everyone who has ever met them), come by to see its installation a…

…represented, among them Mark Rothko, Philip Guston, Wayne Thiebaud and Joan Mitchell, joining Motherwell et al. The crown jewel is Pollock’s horizontal drip painting “Lucifer” (1947), one of his most important works. The Andersons are said to have turned down an offer of $50 million for “Lucifer,” made in the mid-1990s by music mogul David Geffen. The canvas that once hung over Putter’s girlhood bed is easily…

…th different media, Twist acquires a vocabulary of visual effects that he can incorporate into his performances. The stage, then, becomes Twist’s playground. Twist concluded his presentation by giving a live performance of his puppeteering. With Rothko’s “Pink and White over Red” as his backdrop, Twist commanded the floor, armed with a translucent white expanse of silk cloth. Puppeteering is an art form that engages the entire body, as Twist quic…

The audience for Nick Cave’s Soundsuits isn’t really the audience. To put it another way, people looking at the artist’s tall, bright, faceless garments from the outside are part of the audience. But another important audience member is the one wearing a Soundsuit: the person inside. Although visitors to the new exhibition can’t try on the suits, seeing them in person is just as good and not quite as tricky. At the two-…

Over the past decade, many university leaders and donors have come to the same conclusion: investment in the arts is essential to building a competitive institution in an increasingly global world. This year, around half a dozen new museums and arts centres are opening on campuses across the country, from Columbia University in New York to Rice University in Texas. They come on the heels of recently completed projects at Stanford in California,…

If you’d been dragging your feet on getting to Palo Alto for the Anderson Collection’s Nick Cave exhibition (of Soundsuits, not Bad Seeds fame), now is the time. In addition to person-sized sculptures made for shimmying, the free collection displays Abstraction and the Movies March 1-17 only. Curated by current Stanford undergrad Carlos Valladares, Abstraction and the Movies pairs works from the Anderson Collection with images and posters from f…

The Cantor Arts Center and Anderson Collection at Stanford University miss seeing you. We are eager to welcome you back to campus, share art and connect over ideas. Now through August 31, 2020, we are offering all Stanford graduates in the class of 2020 one year of free Ambassador membership ($100 value*) to both museums. Each membership covers up to two adults and children within a single household. To get your FREE membership, fill out t…

…ow our collection can play a role in understanding the course of American art,” said Jason Linetzky, director of the Anderson Collection. “As a painter, Eamon Ore-Giron combines architectural shapes—circles, triangles, arches, rectangles—in bold colors and interlocking compositions. His approach is also one of intersections: across media, cultures, identities, generations and geographies. We are delighted to collaborate with the Institute for Div…