…k, the Anderson Collection at Stanford University opened its doors for the first time. The Andersons didn’t know much about art at first, but they suffered something of a coup de foudre at the Louvre in 1964. Since then, Hunk, Moo and Putter have devoted themselves to the art of art appreciation, partly by seeking advice from local artists. Perhaps this is why much of the collection is focused “close to home.” Works by Richard Diebenkorn, Paul Wo…

…eir daughter, Mary Patricia Anderson Pence—or Hunk, Moo, and Putter, the nicknames by which they are referred to in the museum’s catalog. Back in the 1980s, when I was an undergrad at Stanford taking a stray art-history class, I was fortunate enough to be able to visit the Anderson home, which isn’t far from the campus. (Saga itself was headquartered on Sand Hill Road in Menlo Park, long before it was a mecca for tech-oriented venture capitalists…

…s, learning a little bit more and discovering some more artists,” Allison Rose says. “It just kind of snowballed into this love of learning more about art, and it’s totally addictive.” The Roses are just the sort of Silicon Valley denizens that Pace Gallery President Marc Glimcher had in mind when he opened a Palo Alto outpost last year. Pace Palo Alto is presenting David Hockney’s “The Yosemite Suite” of works created on iPad through June 11….

Pollock’s Lucifer now resides at Stanford University and is welcoming visitors. The news is of significance to everyone for reasons described in this article. Lucifer, the crown jewel of the Anderson Collection, moved to Stanford with a retinue of 120 colorful accomplices he’s befriended while living at the Andersons’ residence. The whole gang is now happily installed in a custom-designed museum on the Stanford campus. With ro…

…ile celebrating the erroneous through constructed photography, prop-like objects and handmade bending frames and installations. Ariza is the recipient of the Tosa Studio Award 2017, a Murphy & Cadogan Contemporary Art Award and an Alternative Exposure grantee (2018). Ariza holds an MFA from the San Francisco Art Institute, is a co-founder of Womxn Art Handlers and a current member of the Curatorial Council at Southern Exposure. You can discov…

The Cantor and Anderson Collection offer free membership to Class of 2020…

…presenting objects. With the exhibition, Pentcheva explores the questions, what happens when we see works or art in a culturally and aesthetically sympathetic environment? And how does the flicker of light or sound or smell enhance a viewing experience? Sunday, Jan. 4, is your last chance to walk through Richard Serra’s Sequence on Cantor’s north lawn. Arriving in the summer of 2011 as a loan from the Doris and Donald Fisher Collectio…

…nes for me because they’re Earth artists who worked with their hands rather than large machines. Buchanan worked in the American South and was concerned with how the land holds history and memory. LB How would you characterize your own work’s relationship to place and site? KW I’m interested in understanding my relationship to the US through the African Diaspora as a way to acknowledge the erased or ignored histories embedded in the land because…

…ts new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visitors can reserve timed tickets online at anderson.s…

…suits of art making – and of collecting, done right – generate such telling patterns. Another occurs in a nearby corner space where a cruciform black-on-black square “Abstract Painting, 1966” by Ad Reinhardt flanks Kelly’s “Black Ripe” (1955), in which a bulbous, central, flat black form swells nearly to the edges of a nearly square white canvas. It is almost as if Reinhardt had completed a thought broach…

…County Schools, and were nominated by their classroom teachers based on their talent, hard work and demonstrated interest in art. The stduetns will be invited to take part in CSMA art programs. Those interested in learning more can go to arts4all.org or call 650-917-6800. FEMINIST ART ON FILM … On Thursday, April 30 at 6 p.m., the Anderson Collection at Stanford University will host a free screening of filmmaker Lynn Hershman Leeson’s…

…s they have been incredibly supportive and encouraging.” Mitchell, who served on staff-led committees that addressed the work culture at the museum, noted, “These experiences have helped me thoroughly understand the challenges faced by the museum team in their daily work, and areas in which staff want the museum to grow and flourish.” And how do they plan to address the issues raised last summer? “We are working closely wi…

…ord alumnus Richard Diebenkorn, Manuel Neri and Nathan Oliveira, who taught at Stanford. Bay Area figurative art is a particular strength of the Anderson Collection and the second Park painting is an important acquisition. A collection of essays about the painting by Nancy Boas, Helen Park Bigelow and John Seed will be available in the galleries and online at the time of the opening. The Anderson Collection reopens to the public on Sept. 22 after…