Anderson Collection at Stanford solidifies Bay Area’s art stature
…1; by Ad Reinhardt flanks Kelly’s “Black Ripe” (1955), in which a bulbous, central, flat black form swells nearly to the edges of a nearly square white canvas. It is almost as if Reinhardt had completed a thought broached by Kelly. Again, the collectors undoubtedly forged the affinity between the two works more than the painters themselves did, but it persuades the observer immediately. The Anderson Collection staff refers to th…