Welcome to the Anderson Collection!
Stanford University's free museum of modern and contemporary American art

Now Open: Wed - Sun

11 a.m. – 5 p.m.

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Harry W. “Hunk” Anderson dies at 95

…te it in perpetuity, so that it could be used, shared and seen, reflected his philosophy that art can and should inspire all of us. All of us at Stanford will always have the deepest affection for Hunk as a generous, big-hearted man.” To date, the Anderson Collection at Stanford University has been seen by nearly 250,000 visitors. Every work in the museum is viewable online and the collection has grown through gifts from other members of the comm…

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Creations of Space and Light

…quare-foot garden in 1972. The garden opened to the public along with the Getty Center in 1997. Irwin is gaining international attention for his massive, $5 million project on the grounds of the Chinati Foundation, the mecca of large-scale works in Marfa, Texas, founded by the sculptor Donald Judd. After more than a decade of planning, Irwin’s 10,000-square-foot structure, on the site of a derelict Army hospital, is slated for completion la…

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Stanford’s Anderson Collection museum to feature trove of couple’s art

…And it includes the resin people, the light people and the ceramics people. The Anderson collection is different in that it tries to include all these things.” I think in order to enjoy art, you have to share it. – Mary Margaret ‘Moo’ Anderson From the outset, the Andersons wanted to engage their daughter Putter in art, but her passion was for all things equestrian. When she was quite young, the family visited an Emil…

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“Reaching Towards Warmer Suns”: A Q&A with artist Kiyan Williams ’13

…find connections between the environment we inhabit and the experiences and histories of Black and queer people in America through the lens of migration diaspora. When I was originally making “Reaching Towards Warmer Suns,” I was living in Richmond, Virginia, and teaching at Virginia Commonwealth University. I would go on walks by the river while I was exploring the city, and I learned that the trail that I would walk along was a former dock wit…

How the Stanford Arts District grew from a midair inspiration

Elite Collection of Modern Masters to Anchor Stanford’s Growing ‘Arts District’

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New acquisition by David Park on view at the Anderson Collection

…l be on view when the museum reopens on Sept. 22, 2021. “I am extremely grateful to Keith Jantzen and Scott Beth for their generous gift to the Anderson Collection,” said Jason Linetzky, director of the museum. “The addition of this work focuses renewed attention on David Park, a compassionate artist and educator whose inventive spirit and camaraderie with artists forever transformed the landscape of figurative painting in California and beyond….

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A new start for art at Stanford: Cantor Arts Center and Anderson Collection reopen

…in the Stanford Daily, revealed a toxic work culture at the museum and ended with Dackerman’s resignation in late November. The university has been circumspect about personnel matters, but did issue a press release at the time indicating that a transition team “will work closely with stakeholders from across the campus and community to situate the museum for ongoing success.” Mitchell and Brezinski discussed their new roles and…

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‘Formed & Fired: Contemporary American Ceramics’ at the Anderson Collection breaks the mold

…pottery and medicinal clay to 3D-printed joints and pajamas that restore athletes’ muscles, the use of ceramics for objects rooted in decoration, ritual and utility is as old as it is expansive. The practices of four living artists whose exploration of the medium provides commentary on its past and insight for the future are presented in Formed & Fired: Contemporary American Ceramics at the Anderson Collection at Stanford University. An exhi…

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Anderson Collection opens to public on Sept. 21

…ts new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visitors can reserve timed tickets online at anderson.s…

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A New Museum for Stanford—and a New Neighbor for Us!

On September 21, the Anderson Collection building opened at the Palo Alto campus of Stanford University—our frequent partner-in-crime when it comes to celebrating the West. Designed by the same team that created Stanford’s stellar Bing Concert Hall, the structure houses 121 works of modern and contemporary American art, all donated by Harry W. and Mary Margaret Anderson. Of course, we’re most excited about the pieces that have a Western flavor:…

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Mary Margaret ‘Moo’ Anderson, modern art collector and benefactor, dead at 92

…y themselves as plain folk to befit their shared nickname “Hunk and Moo,” but they were sophisticated and timely in their collecting of artworks that were often abstract and beyond comprehension. They were also generous in both loaning and donating pieces to the San Francisco Museum of Modern Art and the Fine Arts Museums of San Francisco. Five years ago, the Anderson Collection at Stanford University opened next to Cantor Arts Center, the main…

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Anderson Collection a modern art trove not to be missed

…bert Irwin’s untitled disk is capturing people’s attention. There’s this shadow quality — he was very interested in the transience of time and light. Hopefully you get lost in it a little bit.” “Agnes Martin’s (Untitled #21) is another work that I would hope people come and spend time with. There are just these subtleties to the painting, and the balance of the palette is really wonderful.” “David Park’s ‘Four Women’ has everything you could ask…

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Fashion statements: Nick Cave’s Soundsuits come to Stanford

…dsuits are formed from memories. The Chicago artist’s creations are part sculpture and ornament, armor and instrument and are often worn as costumes and performed in. The energetic vibration of each single, insignificant article is magnified by how Cave chooses to bind them together. Each found object is transformed through the combination of color, history, function and sound. They force a reaction based on the viewer’s personal hist…

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Getting it down on paper: A different aspect of the Anderson Collection on view

…rotect the fragile art on paper) sets a quiet mood and the small selection allows the visitor to linger and take in each work individually. Sometimes the connections are easily made. For example, Franz Kline’s “Untitled (Dancer at Islip)” uses the same bold, black, gestural strokes that can be seen in his paintings. Richard Diebenkorn’s carefully composed use of geometry and muted, cool colors relates directly to the evoca…

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Works by Pollock, de Kooning donated to Stanford’s Anderson Collection

…fifth anniversary celebration, the Anderson exhibition space — 16,000 feet on two floors — has been reinstalled for the first time since its opening. This includes a curated exhibition by Jim Campbell, the San Francisco lighting artist known for his six-story installation “Day for Night” at Salesforce Tower. For the Anderson show, Campbell built a new work titled “Rhythm Studies” composed of nine LED panels. It hangs in the first-floor window an…

Stanford art museums, Frost Amphitheater begin to reopen

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Top 10 art shows as rising rents force out S.F. artists

…knew too well. Carleton Watkins: The Stanford Albums: The Stanford University Libraries presented to the public for the first time at the Cantor Arts Center the full riches of albums they received decades ago in which the luckless but relentless Carleton Watkins recorded the prising open of the American West by alien forces both commercial and cultural. Lines on the Horizon: Native American Art From the Weisel Family Collection: The de Young Mus…

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Anderson Collection’s 10 must-see works at Stanford

Not to be missed at the Anderson Collection (in no particular order): 1. Richard Diebenkorn: “Berkeley No. 26,” 1954. 2. Frank Stella: “Zeltweg,” 1981. 3. Ellsworth Kelly: “Black Ripe,” 1955. 4. David Park: “Four Women,” 1959 (on the cover). 5. Jackson Pollock: “Lucifer,” 1947. 6. Morris Louis: “Number 64,” 1958. 7. Wayne Thiebaud: “Candy Counter,” 1962. 8. Mark Rothko: “Pink and White Over Red,” 1957. 9. Vija Celmins: “Barrier,” 1986. 10. Phili…

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Site-specific student projects now on view!

…terference”, exploring how mesh and colored ribbon could create a layered filter to the site.  The ribbon, woven into the mesh, establishes a separate yet interdependent order while providing an additional layer of enclosure.  The colors fade from muted to bright yellow, mirroring a subtle transition from the natural to the manmade.  In different lights, the zones of ribbon either project forward as fields of color, or blend into the surroundings…