Getting it down on paper: A different aspect of the Anderson Collection on view
…s the same bold, black, gestural strokes that can be seen in his paintings. Richard Diebenkorn’s carefully composed use of geometry and muted, cool colors relates directly to the evocative “Ocean Park #60” at the top of the steps. On the other hand, Ad Rhinehart’s “Untitled”, a gouache on paper, is a complete surprise. Unlike “Abstract Painting, 1966,” which consists of subtle gradations of black to…