…canvas of fluttering red lozenge shapes; a stately black-on-black square canvas by Ad Reinhardt; and a sculpture in silver, an abstracted clock face, by David Smith. ‘The pick of the litter’ The rapacity of top-tier collectors in the present gilded age effectively makes the market value of the Anderson Collection incalculable. But “for us, it’s not about how much, but how good,” Hunk said of the family’s acquis…

…s ability to provide a meaningful encounter with the art it presents. Which is why The Anderson as successful it is in the experience it provides is worth a visit. In the Anderson Collection at Stanford University, one still has the opportunity to commune with Hunk, Moo and Putter’s treasures and see, taste and feel how Art rocks your brain. I am an award-winning journalist and producer who has created print, video and online media content for…

…Donovan. Then came a blockbuster by a Japanese group called teamlab, which makes ancient Japanese art come alive in floor-to-ceiling digital animations.   From her vantage point to the south, Kimball looked on with some envy as Pace drew in 45,000 people in less than three months. “That teamlab animation is something to marvel at,” Kimball says. “It’s immersive. It’s so animated. There’s so much to look at.” Kimball insists she’s not really…

…amassed as a “collection of collections,” acknowledging the couple’s broad rather than narrow interests, their eye for artistic innovation as much as anything.  Since the collection is idiosyncratic and personal, explained architect Olcott, he focused his design for the museum on three goals: “informality, casualness and accessibility.” The museum, he says, “reflects the way the Andersons lived with art in the…

…a “gift for the generations” and also noted with great pride that the Anderson would play a key role in the remarkable and ongoing “Stanford Arts Initiative.” If you think Stanford is just a tech-incubator with a football stadium, think again: the opening of the Anderson makes the Stanford campus a genuine arts destination. “Overnight,” says Christopher Knight of the LA Times, “the Anderson Collection cat…

…Taken together, they provide an opportunity for visitors to see examples from both artists across major moments in their careers. Willem de Kooning, Gansevoort Street, c. 1949, oil on cardboard, 30 x 40 in. Anderson Collection at Stanford University, Gift of Mary Margaret Anderson (Image credit: © 2019 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York) “Pollock’s Totem Lesson 1 provides a look at the artist in transiti…