…nother to give up and say, ‘I’m going to buy it whether you like it or not.’ There’s too much good art to be had to argue about something that one of us doesn’t really like.” Call them Hunk and Moo At first, some people might feel uncomfortable addressing two of America’s most esteemed contemporary art collectors as Hunk and Moo. But both of them insist on the monikers – and all who meet the Anderso…

…s ability to provide a meaningful encounter with the art it presents. Which is why The Anderson as successful it is in the experience it provides is worth a visit. In the Anderson Collection at Stanford University, one still has the opportunity to commune with Hunk, Moo and Putter’s treasures and see, taste and feel how Art rocks your brain. I am an award-winning journalist and producer who has created print, video and online media content for…

…Donovan. Then came a blockbuster by a Japanese group called teamlab, which makes ancient Japanese art come alive in floor-to-ceiling digital animations.   From her vantage point to the south, Kimball looked on with some envy as Pace drew in 45,000 people in less than three months. “That teamlab animation is something to marvel at,” Kimball says. “It’s immersive. It’s so animated. There’s so much to look at.” Kimball insists she’s not really…

…amassed as a “collection of collections,” acknowledging the couple’s broad rather than narrow interests, their eye for artistic innovation as much as anything.  Since the collection is idiosyncratic and personal, explained architect Olcott, he focused his design for the museum on three goals: “informality, casualness and accessibility.” The museum, he says, “reflects the way the Andersons lived with art in the…

…ou can see their work — and two more fine Diebenkorn canvases — at the Cantor Arts Center next door. Add to that two Lobdell abstractions, terrific paintings by Christopher Brown and Squeak Carnwath and you will have some idea of how strong the presence of California painting is at the Anderson Collection. The reputation of California art is going to be lifted up by this great public display. There is so much to be said about what the…

…has done it before.” The newest acquisitions are now on view and are accessible to the public for the first time in years; the most recent exhibition of both pieces in the Bay Area was in January 2001. They hang near Franz Kline’s Figure 8 (1952) and adjacent to Left of Center, a student-curated reinstallation of the museum’s permanent collection that explores how geographic location – in this case, the West Coast – can play a role in engendering…