Welcome to the Anderson Collection!
Stanford University's free museum of modern and contemporary American art
Open Wed - Sun
11 a.m. – 5 p.m.
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Makida III
Wall Painting No. IV
Standing Figure II
Homage to the Square: Diffused
The Do List: Cy and David’s Picks
…e giant, glittery sock pockets decorated with beads, buttons, sequins, and human hair. Sometimes he puts dancers in the suits (Cave trained with Alvin Ailey) and calls it performance art. Whatever you call it, it’s very cool stuff and very worth a visit to Stanford. Both the Anderson Collection and the Cantor are always free, so it’s one of our Cheap Thrills this week. Sept 16 & 17: Angelica’s in Redwood City is a kind of throwback, a…
Anderson Collection opens to public on Sept. 21
…ts new Stanford University home this Sunday, Sept. 21, in a freestanding pavilion next to the Cantor Arts Center in the University’s growing arts district. Members of the Cantor Arts Center and the Anderson Collection can also attend a special preview of the museum on Sept. 20. Opening day festivities will include food trucks, music, activities and digital tours. Admission is free, and while visitors can reserve timed tickets online at anderson.s…
New acquisition by David Park on view at the Anderson Collection
…ord alumnus Richard Diebenkorn, Manuel Neri and Nathan Oliveira, who taught at Stanford. Bay Area figurative art is a particular strength of the Anderson Collection and the second Park painting is an important acquisition. A collection of essays about the painting by Nancy Boas, Helen Park Bigelow and John Seed will be available in the galleries and online at the time of the opening. The Anderson Collection reopens to the public on Sept. 22 after…
Stanford unveils the Anderson Collection: New museum dedicated to renowned works of American art
…onately known as Hunk and Moo) and their daughter, Mary Patricia Anderson Pence. The history of their collecting is by now the stuff of legend: After a trip to Europe in the 1960s, Hunk and Moo decided to educate themselves about art in order to build a collection. They sought out the best examples by the most noteworthy artists available, and had the good fortune — and foresight — to purchase stellar works by artists working in the A…
Mary Margaret “Moo” Anderson, art collector and generous friend of Stanford University, dies at 92
…fts from other members of the community, and generously loaned artwork from her private collection to the museum in order to engage visitors in new ways. “The Andersons’ collecting philosophy rested upon their equal belief in the head and the hands – ingenuity as well as master craftsmanship. What that doesn’t mention is both Moo and Hunk led with their hearts,” said Jason Linetzky, director of the Anderson Collection. “Moo’s gifts of passion, of…
A new start for art at Stanford: Cantor Arts Center and Anderson Collection reopen
…ture collection, for example), there have been some significant changes at both museums since they last welcomed in-person visitors. In addition to current health policies such as mask mandates, timed tickets and social distancing rules, perhaps the most notable difference can be found at the Cantor, which is now being led by two interim directors, Elizabeth Mitchell and Maude Brezinski. Mitchell, who is the curator of prints, drawings and photog…
‘Formed & Fired: Contemporary American Ceramics’ at the Anderson Collection breaks the mold
…erson Collection at Stanford University. An exhibition of ceramics highlights artists who are reshaping ceramics in concept and craftsmanship. The exhibition – which features 11 works by Kathy Butterly, Kahlil Robert Irving, Simone Leigh and Brie Ruais – was postponed from spring 2020 and will be on view upon the museum’s reopening, hopefully in early 2021. A virtual tour of the show is available online now. “By sharing the work and voices of the…
Anderson Collection at Stanford solidifies Bay Area’s art stature
…17;s painting changing proportions and accessibility, artworks respond to all sorts of cultural echoes and other influences that we can seldom pinpoint easily. The Still at the top of the stairs prepares us to notice throughout the Anderson Collection fluctuating impressions made by artworks that initially seem foursquare and fully defined. Such an experience of art’s mutability is a key into the psychology of collecting as the Anderson fam…