COCOON On view March 2 – April 4, 2016 Cocoon is the result of CEE32H: Responsive Structures, offered by Stanford Architecture.  This design build course focused on the structural and spatial possibilities of welded wire mesh, for the design of a contemplation space.  The installation encourages introspection and pause for students, passers-by, and visitors to the Anderson Collection.  The progression of arches provides a spatial t…

…and then visiting those locations in New York, Virginia, and the US Virgin Islands. However, today many of those sites contain no physical evidence of my ancestors’ lives. I collected soil from the sites and used it in sculptures and performances, as the soil seemed to contain the only material traces of their lives. A mud hand attached to a stick is propped up by wooden sticks with a blue wheelbarrow behind it. Kiyan Williams on site at the Ande…

Harry W. and Mary Margaret Anderson didn’t know much about art – they’d dabbled in antiques – before they first visited Paris in 1964 and made their way into the Louvre. “We became so enamored with the visual experience that on the way home, we looked at each other and said, ‘How could all this have been going on and we not have been a part of it?’ ” said Harry “Hunk” Anderson. The muse…

By Anna Koster For The Daily News Pushing boundaries has been the life work of Robert Irwin. His six-decade exploration of perception as the fundamental issue of art has expanded ideas of what art can be and can do. Irwin will speak about his work on March 10 at Stanford’s Cemex Auditorium. Irwin, born in 1928, in Long Beach, started as a painter in the 1950s with an abstract expressionist style, but quickly began removing all that was not…

Artist Wendy Red Star was usually a sleepy freshman during her 9 a.m. intro to art history class at Montana State University during the early 2000s. But one morning, her professor projected a slide of John Gast’s American Progress (1872) onto the lecture hall’s massive screen. It jolted her awake. The iconic painting is meant to promote the idea of Manifest Destiny, centering on an oversized Lady Columbia who illuminates a path for white settler…

Art collector and Stanford donor Harry “Hunk” Anderson dies at 95 The longtime friend of the university welcomed Stanford graduate students to study the art in his home and office, and then he and his family made the collection accessible to the world through a transformative gift. BY ROBIN WANDER Stanford neighbor, friend and philanthropist Harry W. “Hunk” Anderson died on Feb. 7 at his Bay Area Peninsula home surrounded by his family….

The Anderson Collection at Stanford: An Uplifting Experience Posted: 09/24/2014 2:51 pm EDT  Updated: 2 hours ago Visiting the newly-opened Anderson Collection at Stanford requires taking everything — your body and your expectations — up a level. After entering the building’s main lobby — which will cost you nothing as the Anderson is free — you will ascend a grand staircase that plateaus at the building&#8217…

Pollock’s Lucifer now resides at Stanford University and is welcoming visitors. The news is of significance to everyone for reasons described in this article. Lucifer, the crown jewel of the Anderson Collection, moved to Stanford with a retinue of 120 colorful accomplices he’s befriended while living at the Andersons’ residence. The whole gang is now happily installed in a custom-designed museum on the Stanford campus. With ro…

A project of the Anderson Collection at Stanford University Hosted by art historian and the associate director of ITALIC at Stanford, Kim Beil, the micro-video series “Up Close: One Painting Tours with Artists” focuses on a single object in the Anderson Collection, sparking dialogue with a guest artist. This project is made possible by a grant from Stanford Arts and the Anderson Collection at Stanford University. Artist Rebekah Goldstein explor…

The Cantor and Anderson Collection offer free membership to Class of 2020…